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Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.

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SDG Goals
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem

Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of LoremIpsum.

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Hypercompf

Hypercompf Hosted by: Onassis StegiAthens, Greecehttps://www.hypercomf.com/BiographyHypercomf is a multidisciplinary artist identity, materialized as a fictitious company profile, founded in Athens, Greece, in 2017, by artists Ioannis Koliopoulos and Paola Palavidi. Based between the city of Athens and Tinos island in the Cyclades, Hypercomf has developed an international practice, producing location, site and time specific projects and activations. The team focuses on targeted collaborations with individuals, communities and locations ranging from musicians to scientists and community choirs to urban rooftop pigeon keepers.Hypercomf members are graduates of Central Saint Martins School of Art and Design(2007) and Athens School of fine Arts(2009). Since joining forces in 2017, as Hypercomf , they have been recipients of individual Artworks fellowships 2018, a Fulbright Fellowship 2019-2020 (Research Scholar Paola Palavidi) and Outset Greece 2019-2020 production grant. Hypercomf has participated extensively in international exhibitions, projects and residencies, some more recent include a Pioneer Works Visual Arts Residency, NY, US 2019-2020 // Rigenerarte, Municipality of Veneto, IT, 2019 // 7tth Biennale of Thessaloniki 2019 -2020, GR // 7th Syros International Film Festival, 2019, GR // Still Here Tomorrow, Stavros Niarchos Cultural Center, 2019, GR //Wasn’t it you who said that it was going to last forever, HausN, Athens, 2019, GR// Heat Company, Brussels, BE // First Draft, Sydney, 2018, AUArtists Statement on SDGs Hypercomf’s practice has been formed around the message of responsible consumption and production starting in 2017 when the team made its first public appearance as a pseudo company, opening a pop-up shop offering products and subverted concepts of production itself. Everything in the show was made utilizing solely repurposed fabrics, reclaimed clothing and furniture upholstery, from this material we created multifunctional wearables, furniture, wall tapestries and video with object protagonists. Since then the team has been sourcing second hand material for the production of its projects , avoiding the introduction of new materials unless absolutely necessary. The aim has always been finding inventive ways of adding value to waste through concepts that bring to life the ideas of re-use and environmental protection for the public.The most recent example of this has been the production of venetian style terrazzo mosaics using marine pollutants, specifically plastics collected from beach clean ups.Past projects have also dealt with the interaction between industry and local community, the importance of locally sourced raw material, the reuse of production left overs and re thinking the accessibility of the community to the industrial spaces.Life on land has been a focus the past two years, animals in our narratives are representations of the primal self, of aspects of culture and our belonging in the greater natural network . Whether it is GPPS tracking sheep routes in Alpago, Italy or researching and documenting the interaction of animals and humans in the newly created urban ecosystems. The current focus is to life under water. Hypercomf is based in part on an island of the Aegean sea. This has drawn their attention to the issues of the endangering of the marine ecosystem, oceanic pollution, water politics, the impact of mass tourism and the anthropology of deep sea exploration.The subjects we are investigating currently, which could greatly benefit of a collaboration with a person of science, have to do with human influence on the marine ecosystem and the anthropological and spiritual connection between humans and the deep sea, a connection mediated through high-end technology, sound and robotics .Through the exploration of these topics we wish to touch on the subjects of marine networks of commerce, culture, tourism andinformation, as well as the various different oceanic manifestations of the human drive for pleasure gratification, exploration and exploitation. #INSTALLATION #DOCUMENTARY #WEARABLES SDG Goals Goal 9: Industry, Innovation and InfrastructureGoal 12: Responsible Consumption and ProductionGoal 14: Life Below WaterGoal 15: Life and Land
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3 137

3 137 Hosted by: Onassis StegiAthens, Greecehttp://www.3137.gr/en/BiographyI3 137 is an artist run space based in Athens, founded by Chrysanthi Koumianaki, Kosmas Nikolaou, and Paky Vlassopoulou in 2012.During the 8 years of its operation, the collective has presented research projects in collaboration with art professionals, scientists and friends as well as exhibitions and one off projects like performances and talks.The artists’ initiative aims to create a meeting point for exchange, discussion, and research. Its projects place emphasis on collaboration, hospitality and hybrid forms of being together. During the 8 years of its operation, the collective has presented research projects in collaboration with art professionals, scientists and friends as well as exhibitions and one off projects like performances and talks.Since 2016, 3 137 has been developing After the Explosion...You Hear the Light, a research project in collaboration with Klea Charitou (art historian, curator) regarding the greek art scene of the 70s, presented through an exhibition, public talks, lectures, screenings, educational workshops and a forthcoming publication.In 2019, the initiative was invited by Alserkal Arts Foundation for their annual commission during Dubai March Art Week. 3 137 created a program based project, entitled Rhodiola, including an online Radio Station, a Film Program and a series of Performances and Workshops, in collaboration with artists, curators and scientists.At the same time, 3 137 has established the immaterial institution Gabriela. Gabriela deals with issues of sustainability, labor and institutionalisation questioning the role of artists' initiatives.Artists Statement on SDGs In 2019 we created a series of workshops, screenings and podcasts around the notion of maintenance. We focused on labor conditions, sustainability, well-being and digitalization of everyday life. As an extension of this research we are currently focusing on the cityscape of Athens and how the everyday life and economy has changed the last few years. We are looking at housing rights, gentrification processes and emerging collectives working on human rights. Simultaneously, we are interested in local production, cultivation and crop regarding the current climate change, pollution and health awareness. Ultimately, we are seeking for future scenarios of inhabitation and co-existence. Through a participatory, collaborative and interdisciplinary practice we explore common urban challenges and the requirements for a better quality of life for all. The intention is to (re)imagine possible future economic, environmental and social schemes based on inclusivity and fairness.#PODCAST #RADIO #WORKSHOP SDG Goals Goal 3: Good Health and Well-being Goal 11: Sustainable Cities and Communities Goal 12: Responsible Consumption and Production
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Siobhán McDONALD

Siobhán McDONALD Hosted by: GLUON and co-financed by DIASDublin, Irelandwww.siobhanmcdonald.comBiography Siobhán McDonald is an artist in residence in the School of Natural Sciences at Trinity College Dublin (2017-2019) working with world-leading research facilities such as The European Space Agency (ESA); The JRC European Commission and The European Research Council to explore ecology in light of current ecological concerns. Across these research labs, she pursues knowledge to ask questions about the structure and history of the earth. Her art practice calls on notions of what is still unknown to science, exploring the Anthropocene and the recent consequences of our treatment of nature. She is interested in the changeable nature of landmass, historical events and their interconnection to time. In her studio, she works with a diverse group including historians and scientists. Her works manifest in many forms including painting, drawing, film and sound. Artists Statement on SDGsI am also undertaking a complementary research project at the ‘Institute of Athens,’ which simultaneously aims to encourage environmental sustainability. I am exploring the broader context of the sun through a rare archive of paintings by historical masters including Turner and Munch to provide an understanding of how global warming affects specific locations today. I have been granted permission to use this study to develop artworks that examine how the light spectrum has changed since the 1500s to the present day.The UN DECADE OF OCEAN SCIENCE FOR SUSTAINABILITY commences next year and I am in dialogue with scientists to explore a number of current topics and creative ways to envisage how ocean chemistry has major implications for our world system. With the threat of global water shortages in the coming decades, I would like to imagine what a water-scarce future might look like. I’m interested to explore how new innovations might help us to acquire sources of water and to help us to conserve it. With rising temperatures and melting polar ice caps accelerating beyond control, perhaps we can harness natural processes of the sun’s rays into energy to create ice and water? In my explorations within this line of enquiry I would like to draw attention to the broader context of water by exploring new innovations in age-old techniques of harvesting water from rain and fog. #PAINTING #FILM #SOUND SDG Goals (tbc) Goal 1 Goal 2 Goal 3
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Ciprian MUREŞAN

Ciprian MUREŞAN Hosted by: Cluj Cultural Center Cluj, Romania Currently no website Biography Ciprian Mureșan (b. 1977 Dej) lives and works in Cluj, Romania. He graduated Academy of Fine Arts, Cluj-Napoca in 2000. Muresan works with a variety of media, from drawing, video and objects to photography and books. Since 2005, Ciprian Muresan is editor of IDEA art + society magazine, published in Cluj-Napoca. In his works he explores, salvages and re-contextualizes historical, social and cultural (literary and /or artistic) references in order to unveil the complexity of everyday life and the conditions of viewing history.In 2009, he represented Romania at the 53rd International Art Exhibition of the Venice Biennale. His works have been exhibited in SMAK Ghent, Centre Pompidou, Paris; Venice Biennale; Ludwig Museum, Budapest; Tate Modern, London; Contemporary Art Center, Geneva; n.b.k. - Neuer Berliner Kunstverein, Berlin; New Museum, New York.Selected exhibitions: Ciprian Muresan, SMAK Museum, Ghent, BE; L’atelier sans fin, Galerie de l’Atelier Brâncuși, Centre Pompidou, Paris (2019, solo, with Șerban Savu); #1.3 WAYS TO TIE YOUR SHOES: CIPRIAN MUREȘAN, Convent Art Space, Ghent (2017, solo); Viva Arte Viva, 57th Venice Biennale (2017); Your survival is guaranteed by treaty, Ludwig Museum, Budapest (2015, solo); Allegory of the Cave Painting, Extracity Kunsthalle, Museum Middelheim, Antwerp (2014); Contemporary Art Gallery, Vancouver (2013, solo); Six Lines of Flight: Shifting Geographies in Contemporary Art, Museum of Modern Art (MOMA), San Francisco (2012); Stage and Twist, Project space, Tate Modern, London (2012, solo, with Anna Molska); Contemporary Art Center, Geneva (2012, solo); Recycled Playground, FRAC Champagne-Ardenne, Reims (2011, solo); Les Promesses du passé. Une histoire discontinue de l’art dans l’ex-Europe de l’Est, Centre Pompidou, Paris (2010); The Generational: Younger than Jesus, New Museum, New York (2009).#DRAWING #VIDEO #SCULPTURE
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